Editorial: On Brother Nature and Quan’s Biases

UPDATE: I guess I’m still not being clear enough. I said this in the comments section but I figure I’d bring it up to the top of the post for the sake of clarity:

Like I said, I’m only trying to lay my own biases out on the table. This isn’t to diss them. Actually, it’s the opposite. I’m warning you that my previous dismissal of them really WAS unfair. Their music forced me to ask myself, Do I not like this because it’s bad or because of some other personal biases? And I’ve now recognized it was the latter.

Reader William_will brought up a good point in the comments section of the previous post on Real J. Wallace’s new EP. I had tried to respond in the comments section but my response turned into a long-winded essay that was too big for a comment so I’ve reproduced it here. Also, shout out to reader Tomham for the Blues vs. Jazz comment in that same post. That’s on some next level spit.

William_will says:

I’ve seen you review thiss guy a few times & your reviews have made me pass on his projects, after listeing to this and giving Real J Wallace a chance I come to find he is witty honest and a breath of fresh air. I find it odd that your site seems to love “ganster” rap and all its vulgarity and mislead truths but you talk down honest & crative music such as this project. I’m interested to see what you will say about this Godspeed JahBless project I just downloaded from the other cat from Brother Nature. I understand difference in taste but damn Quan Vu you really do have some sort of unspoken hate for these guys.

“Hate” is pretty strong but here are my biases, the best I can figure. There are a lot of factors at work here and I’ll try my best to address them.

In regards to gangster rap, yeah, I mean, I’d be lying if it were as straightforward as there just being a lot of good gangster rap. My “love” for gangster rap is at least partially a political statement. Gangster rap is dying and most people are saying “Good riddance” to the vulgarity, violence, immorality, etc. But I got this strong fear that the death of gangster rap also equates to a silencing of the voiceless people that gangster rap is supposed to speak for. I’m a fan of Kanye but the celebreality rap that he popularized just worries me more that hip-hop is getting less and less connected with actual people. There are for sure plenty of issues with gangster rap. But there’s still this general idea that they’re at the bottom of society and their they’re trying to come up, which is something I can get behind.

About Brother Nature, I’ve met them but I don’t really know them personally. They didn’t like steal my girlfriend or get me fired or anything. At one point, they did correctly call me out for not really being in the scene, going to shows, etc. and I’ve tried to be better about that since then. This isn’t a personal vendetta, but I’d understand if you took it that way.

Anyways, yeah, I’m biased against them for a few reasons and I might have stated them before. Read more of this post

SoundDiego: Album Review: Real J. Wallace – The Jah Father of Soul Cal


I reviewed Real J. Wallace’s mixtape over at SoundDiego. He says it’s the length of the 94 highway and I tested it like an asshole. I think dude owes me gas money. I ended up driving into terrifying hick territory where I was almost certain someone was gonna shoot my Oriental face off.

Anyway, a snippet below and the full review here:

The music is, of course, soulful and funky. There’s a reason these breaks were sampled in the first place, and that’s because they were great songs to begin with. Real J’s rhymes feature a familiar mix of technical prowess, spirituality, black-culture references (notably, “the big piece of chicken” from a Chris Rock bit), everyman resolve and crass sexuality, just in case you thought he was getting too serious (to wit, there’s a song with several puns on different terms for oral sex). It’s lyrically satisfying, though there’s a jarring disconnect between his soft-spoken voice and his occasional vulgarity. Clearly, one of those has to go, and hopefully, it’s not the vulgarity.

CityBeat: Lil Spank Booty rocks the cell


Loot Hungry by mitchyslickbiz

You might have thought I was just being lazy by not blogging lately when really I’ve been busy writing baller-ass shit like this and also losing my fucking mind.

This is the best article I’ve ever written. After you read the full article here, you can send mail to Lil Spank Booty here:

Maurice League
J59282
Salinas Valley State Prison
Fac. B2-218 / PO Box 1050
Soledad, CA 93960

A grainy YouTube video shows a cell in Salinas Valley State Prison in Monterey County. Maurice League, a hardened street rapper with braided hair and tattoos covering much of his body, sits on the bottom bunk, no mattress.

League, aka Lil Spank Booty, tiredly wipes his face and shakes his head. In his right hand is a metal utensil, in his left a red plastic cup. He puts his hands down to the hard bed surface to bang out a beat, using the utensil as a cymbal, the cup as a snare and his left palm as a kick. Then, he spits a heartbreaking verse about the trials of incarceration. Abandonment from loved ones. “Zombied-out” inmates on prescription drugs. Abusive corrections officers. Suicide.

CityBeat: Album Review: Pedalay The Boss – Issue #1

Pedalay The Boss
Pedalay The Boss “Voices”
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Pedalay The Boss “Support”
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Pedalay The Boss “Noise”
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I enjoyed Pedalay’s album, though I only finally heard it months after its release. I had worried that his parting ways with Scatterbrain would spell ruin–a testament to Scatterbrain’s production. But instead, Pedalay became a better rapper for it and his other producers hold their own for the most part.

My three favorite songs are above. What surprised me about this album was stuff like “Support,” which finally saw Pedalay get a little personal, a welcome change. But I still like “Voices” and “Noise” because they sound evil and I like to indulge in evil at times, like right now.

Check out a snippet below and read the full review at CityBeat:

Remember when beefing rappers made diss songs? Diss songs used to be the norm, so much so that they inspired b-movie “documentaries” like Beef. Today, beef plays out ungracefully on social media, with punch lines replaced by hashtags, snarky status updates and YouTube threats.

That’s why Pedalay The Boss’ latest album, Issue #1, sounds so refreshing. Pedalay, a Southeast San Diego rapper, is nerdy enough to spit abstract imagery and title his album like it’s a comic-book series. But he also talks about real-life shit, and his recent estrangement from rapper / producer Scatterbrain has provided fuel for his creativity.

Third Degree Burns with Formula Abstract/Jewelz Infinite

Third Degree Burns with Formula Abstract
Third Degree Burns Dirty Drunk Mixshow 9 22 11 by DjThirdRaiLLooksLoco

Cool things possibly in the works with Third Degree Burns. For now, check this older mix all the way from September featuring Trust One (of Formula Abstract) and Atma. Trust and Atma have started a duo called Jewelz Infinite. They show some of their tracks here. They come on around the 1:45 mark or you can check my bookmark on the mix bar. Tracklist below:

1. Def Dee “Crazy Ill Mad Rowdy (BEAT)”
2. Phat Kat “F.A.N.S.”
3. M.O.P. “Anybody Can Get It”
4. L.E.G.A.C.Y. “The Resignation (I Quit)”
5. Alive & Well “Soundbwoy (gb mix)”
6. DTMD “Makin Dollas”
7. Headnodic “Dirty Diamonds (remix)”
8. J. Sands ft. Georgia Anne Muldrow “Trying Times”
9. Jaz-O “Be There” (this song is dope!)
10. Nayr Cross ft. Chill Moody & KQuote Author “Da Cypha: My World”
11. MC Eiht “I Need That”
12. Al Great “I Pray I Make It”
13. City Sparks “Memoirs Official”
14. Co$$ “Green Grass, Blue Sky (Really Nathan)
15. Roscoe Umali “The Ballad of Lost Angels”
16. Serge Severe ft. Luck One “Know The Truth” (prod. Terminill)
17. Phonte “The Good Fight” (prod. 9th Wonder)
18. G Huff ft. Baby Blak “Twisted”
19. Shabaam Sahdeeq “Something About You”
20. Tragedy Khadafi ft. Killa Sha, King David & Planet Asia “Best Of Both Coast”
21. AnMor “Mirror Mirror”
22. Doodlebug (digable planets) ft. Don Will & Moka Only “Futuristic Sci-Fi”
23. Jedi Mind Tricks “Target Practice”
24. JunClassic & The Jazz Spastiks “Bust Ya Melon (Amiri remix)”
25. Drewtradition ft. B-Real, Apathy, & Yoiung De “If I Died Today”
26. Lateb ft. Reef The Lost Cause “Shut This Down’ (prod. Vanderslice)
27. Macklemore & Ryan Lewis “Make That Money”
28. The Away Team ft. Talib Kweli & Rapsody “Set It Off”
29. Sketch ft. Roc Marciano & reef the Lost Cause “Chain Smoking (remix)”
30. Styles P “Styles Come Up Freestyle 2011”
31. Will Sessions “Memory Lane” (BEAT)
32. Formula Abstract ft. Dr. Zarkov, Orko Eloheim, & Trust One “Always”n (prod. Trust One)
33. Def Dee “New Keys” (BEAT)
34. Formula Abstract ft. Dr. Zarkov, 1019, golden Gages, Trust One & Mike Tappen “We Sah See You” (prod. Andy Bandy)
35. Def Dee “Hope” (BEAT)
36. Formula Abstract ft. Mike Tappen, Trust One & Sighphur One “Every Groove In A Record” (prod. Trust One)
37. Def Dee “ Cheap Heat” (BEAT)
38. Formula Abstract ft. Moderfire & Trust One “Artificial Enhancement” (prod. Orko Eloheim)
39. Def Dee “Know My Name” (BEAT)
40. Formula Abstract ft. 1019, Irie, & Trust One “Feel The Electricity” (prod. Trust One)
41. Def Dee “Rain” (BEAT)
42. Formula Abstract ft. Moderfire & Trust One “Zomies” (prod. PsychoDrama07)
43. Def Dee “Stick Up Kid” (BEAT)
44. Formula Abstract ft. Orko Eloheim, Golden Gages & Trust One (prod.Modo/Ugly Mac Beer)
45. Def dee “Bach’s Back” (BEAT)
46. Random Thoughts “2.0”
47. Cold Men Young “Time Bomb”
48. Nutso & Blaq Poet “Let The Guns Blow” (Dj Mickey Knox)
49. Cormega ft. Maya Azucena & Sha Money XL “What it Do (remix)”
50. King RA “Pain” (prod. DJ Priority & DJ Hush)
51. Darren G ft. Jinx13 & Ecay Uno “5150” (prod. Darren G)
52. HaLo ft. Median “Imagine That”
53. Def Dee “Golden” (BEAT)

Giveaway: TheBREAX, NomiS, Dannu, Fonzworth Bentley at HOB

UPDATE II: Contest is over. Congrats to Michael, Zachary, Denisha, Eric, and Joseph! Enjoy the show!

UPDATE: The Congratulations email has been sent. You have until Tuesday at 1am to claim your prizes. Please check your inboxes. And dang, these tickets went hella quick.

North County trio, TheBREAX, are hosting the release party for their new album, Never Arrive, at House of Blues this Thursday. They’ll be performing along with fellow North County cohort, NomiS; Dannu of the Visionaries …… and Fonzworth Bentley (yeah, super random, but Fonzworth is a surprisingly good artist in his own right).

Here’s the deal: I have five (5) pairs of tickets to this show. Just leave a comment below saying you want a pair. The first five commenters win their name on the guestlist with a +1.

A few rules:

  • When leaving a comment here, you must include a valid email address in the Email field;
  • You must respond to the “Congratulations” email within 24 hours to claim your prize. By not responding, you have forfeit your prize to the next commenter in line with a correct response.

Good luck to everyone. Anyone who doesn’t luck out can buy tickets here.

And yes, I realize TheBREAX have not received enough coverage on this blog. I had unfairly written them off as a Christian hip-hop group. Now that I’ve heard Clister, I’ll make an effort to provide more coverage. Thankfully for TheBREAX, they look like they’re a little too busy making real career moves to actually care. They’re ahead of the curve like that.

New Page on SDMA’s


Look above to the top navigation bar for a new page I created called “SDMA Info.” Artists still ask me about how to submit their music to the SDMA’s and I think there’s definitely still confusion all around. I’ve hopefully cleared that up while also providing a valuable resource to help artists network and market themselves more effectively. Check it out!

Access Sez So: Album Review: Stuntdouble & Tenshun – The Ballad of Shawn T. Nelson EP

Wes has been locked in his basement listening to this 7-inch and writing the great American novel a review. Now, he’s back with a vengeance.

Just a few a months ago, one of my favorite San Diego releases of the year dropped with a bang! And while it’s just a 7-inch EP with a mere four tracks, it’s a little release that had big things to say!

After their last album, Don’t Have to be Drunk To Tell the Truth, was released back in 2007, Stuntdouble and DJ/Producer Tenshun continued to perform locally, maintaining their presence around San Diego’s underground scene. Tenshun, as a solo act, has worked steadily on pushing out releases independently and through several other indie labels as a following of fans of his drum heavy production continues to grow. Stuntdouble remains equally busy juggling back and forth between school, work and family life, recording songs between releases, sometimes with other producers. Unfortunately, as the years passed, the material and the hours put into said sessions had become all but an afterthought for the emcee, and sadly those tracks may never see the light of day. Over the years, I would see both artists here at Access, and I’d always be eager to hear anything new and if they would at least hint at another release together. Finally, after a few delays over the summer in which the plates to press the brand new EP on vinyl were denied due to sampling issues, their long talked about return is here!

Stuntdouble didn’t set out to make an EP about how “fine” his city is with some half-assed anthems your friends can chant the words to at house parties. “Welcome to San Diego. Now go home.” These words are printed directly on the label of the record itself and this pretty much sets the tone for the rest of the EP. The Ballad of Shawn T. Nelson is a release filled with political connotations and the social commentary fans have come to expect from the fire-bearded and equally hot-tempered emcee. It’s aimed specifically at life in San Diego, from the perspective of the average citizen, and not some pamphlet-pushing tour guide who can’t wait to lure visitors on a tour bus to “America’s Finest City,” as it is so affectionately dubbed by the media. As an outsider myself, living in various neighborhoods amongst this city’s inhabitants for the last ten years, “America’s Finest City” is a term that definitely feels outdated. Read more of this post

Video: wHERefore

Written by Jack King aka Parker Edison, who continues to explore the female psyche. Its cryptic nature is lending more credence to my friend’s comparison of Jack to Miles Davis who consciously shrouded himself in mystery. Anyway, just something to make you scratch your head on a Sunday. I would usually say more but I know painfully little about girls and cooties and shit. Though the girl speaking in the video reminds me of this other girl I met once who told me she stopped seeing a guy because he wouldn’t let her watch him pee in public. I don’t even know ……

If you’re interested in more randomness but in a different way, there’s also a couple videos of P+T+C talking about Rap Snacks and performing with a PS3.

Banish & Aims – Get Up


Get Up Ft. Banish & Aims by UninvitedMedia

Everybody need to pick up a sword, not a picket sign

It’s Banish. It’s Aims. You know what you’re in for. Go punch something/someone to this over the weekend.