Ticket Giveaway: More Andre Nickatina at HOB

UPDATE III: Congrats to the winners: Victor, Kelley, Erica, Justin, and Thalia! All you need to do now is go to the HOB Ticket Office when you get to the show and show your ID. More ticket giveaways coming soon!

UPDATE II: Sent the confirmation email a few hours ago. Waiting on one more person to reply. Check your inboxes!

UPDATE: Geez, no computer love for Andre Nickatina? Since that’s the case, just leave a comment saying you want the tickets. Include a working email address so I can contact you, thanks.

I have more tickets to see Andre Nickatina. He’s performing at House of Blues next Wednesday, October 5.

Here’s the deal: I have five (5) more pairs of tickets to the Andre Nickatina show. First five people to leave a comment telling me their favorite song out of Old English’s Top 5 SD Hip-Hop Songs get on the guestlist +1 for the show.

Rules: 1. When leaving a comment here, you must include a valid email address; 2. You must respond to the “Congratulations” email within 48 hours to claim your prize; 3. Winners from the previous Andre Nickatina giveaway (for the same show) cannot win again. If you break one of these rules, your prize goes to the next commenter in line.

If you don’t luck out here, you can buy tickets for the show at the House of Blues website.

Stuntdouble ft. Parker and the Numberman – Any Given Sunday


Any Given Sunday by stuntdouble

I guess Parker didn’t make the cut for Blvck Bvstvrds? So he takes out his fury on Stuntdouble, 1019, and Tenshun.

Treali Duce – Addiction



ComScore

Not sure I remember hearing too much double-time on Treali Duce’s last album, A Man’s Heart, but it’s definitely welcome on this song. “Addiction” refers to Treali’s addiction to guns. But in typical Treali fashion, the violent nature of the song is tempered by Treali’s own self-awareness. He paints himself as a psychopath and a sinner against his own God, creating this back-and-forth, push-pull between two sides of himself: the angry, violent psycho and the righteous, God-fearing man.

Treali’s getting set to release two albums in quick succession. True to his upright nature, they’re called The Flesh and The Spirit. “Addiction” comes from The Flesh, which should be dropping within the next week or so. The Spirit is slated to follow about a month later.

Throwback Raps: Orko The Sycotik Alien – Wack As Fuck

I was just listening to this last night. My friend threw it on as we were on our way to recording a demo for his hardcore punk band. I think he was trying to get us all amped up and this song wouldn’t be a bad way of getting that done. Orko’s energy throughout the entire five minutes is vein-poppingly intense. Not to mention the near-perfect hook of “Yo! I remember you was wack as *FUCK!” It’s just hard and simple, straight to the point. Makes me wonder if Orko could ever pull off a punk record.

A couple other points: First, I don’t know why exactly, but the line “On a scale of 1-10, you a skeleton” always stood out to me as so stupidly ill. It just works on so many different levels. Like he establishes this generic system of grading but then he almost completely abandons that system to show how he exists way outside of generic ways of thought. But then at the same time, “skeleton” is still a pun of “scale of 10″ and a skeleton is basically an empty shell of a human so it’s like Orko’s giving you a grade of 0 out of 10 so he’s still manipulating the system to sorta speak in its terms. Then of course, on the surface, you’re a skeleton because Orko just bodied you. It’s just stupid how many ways you get dissed with this one oddball line.

Second, that’s a Future Shock diss in the last verse, right? And an Aceyalone diss? Anyone care to share stories behind those beefs?

50/50 (Miki Vale & Kandi Cole) – Black

Miki Vale and Kandi Cole are a little bit closer to releasing their 50/50 collaboration EP, though I’ve learned not to be any release dates ever until I have a copy of the project in my hands (or, uh, on Bandcamp). Their first single, “Black,” is like a more aggressive (militant? Or maybe just more cocky?) take on Blackstar’s “Astronomy (8th Light)” on top of Lil Wayne’s “A Milli” done with like a Middle Eastern sample or something. I think DJ Deprave is working on the music video for this and it should be out in the near future.

Mixtape: Opoetik – Lessons Learned

I found this mixtape on Opoetik’s Bandcamp page. When he released the Two Sides To Every Story remix project with DJ Happee, I was curious to hear how they compared to the originals, many of which are on this mixtape. And truthfully …… the thing is, Two Sides isn’t by any means wack. The problem with Two Sides is that the production most of the time just sounds way too much like the originals. Mellow, jazzy, sample-based production is remixed into slightly more mellow, jazzy, sample-based production. It’s not bad but it’s just too comfortable.

From a consumer standpoint, you’re probably better off going with this Lessons Learned mixtape, which is currently still free, has more songs, is mixed well, and maintains the core of what Opoetik is about. Op is a spiritual dude who seems to use music as a way to make sense of the world. He’s a sort of wandering, weary traveler, dropping wisdom on us just as much as he’s kinda dropping wisdom on himself, like schooling us from the position of another classmate. It’s a journey and he’s right there with us, searching for something himself.

Video: Aims – Cold Nights

“These bars are so heavy with weight, that’s how I WordPress”

Subliminal jabs at SDRaps.com FTW! Nah, but I’ve been meaning to post this as soon as I got out of my funk. This beat is just all sorts of stupid.

Interview: Dannu of The Visionaries


I published this interview with Dannu last week over at SoundDiego but it only got like 5 Facebook Likes, which is pretty much how I gauge an article’s popularity on there. Dannu is the lone SD native of The Visionaries crew. After 15 years in the game, he put out his first solo album, Virgo Summer, early this year. And I finally got around to publishing this interview. You can buy Virgo Summer on Amazon (sorry, Access is currently out of stock).

SDRaps.com: It’s been a long time since you started rapping, and now you’ve finally dropped your first solo album, Virgo Summer.

Dannu: I’ve always been a team player-type person. I never thought that I would want to be a solo artist, but everyone was always telling me, “Hey, why don’t you put out a solo?” And I never wanted to. But once we had our little “break” from doing Visionaries stuff — everyone started doing their solo stuff — I started doing songs with certain people. I did a lot of songs. I chose all these for Virgo Summer because they had this mood. I finished it completely — mixed, mastered — I wanna say, 2009. And then something happened with my masters: They got jacked. Imagine your life’s work on your computer and it just crashes. It wasn’t a crash, but it got jacked. So I had to re-do every song from the ground up. At the time, I was pulling my hair out, but it actually worked out, because the time it took for me to build to that point, I had memorized most of the lyrics already. So when I went back to re-record them, it sounded better because I wasn’t reading from my book. I was able to express it more.

And I actually was gonna put it out myself, because I was already working — nothing to prove. I was like, “Let me put it out so people know a little bit more about me outside of the Visionaries.”

SDRaps.com: But it got put out on Soulspazm, right?

Dannu: It got put out on Soulspazm digitally. And Fat Beats picked it up and produced some CD’s for me. And that was all from the help of DJ Rhettmatic. He was one of the ones that was really encouraging me to do my solo. He’s basically the co-executive producer for my album. He got a lot of things done on the outside of making the music. And, of course, he did some tracks on there.

SDRaps.com: You mentioned you were aiming for a certain mood. Can you expand on that a little as far as what sort of mood you were aiming for?

Dannu: Basically, everything I wrote was always during the summer. The way I am, I’m not like a super-aggressive kind of personality unless I get pissed off. I basically wanted to make it like–I mean, I like groups like Dwele, like “vibe-y” kind of music. That’s what I wanted to shoot for.

SDRaps.com: Like the neo-soul school?

Dannu: Just soul, period. When I grew up, that’s what we used to call it. We didn’t call it rap music or hip-hop music. We called it soul music. I wanted to give that vibe to where you can sit back and chill to it and drive to it, or clean your house to it. There’s some songs on there where I’m a little more aggressive, but I kind of wanted to reach more toward the people that wanted to chill. And, really, I was directing it really toward females, the hip-hoppers that are female that like to chill and listen to vibe music like that. When you go to concerts like Erykah Badu and Jill Scott, you look in the crowd, and there’s mostly females. And to me, they’re the most critical out of all music lovers because if you’re wack, they’re not even gonna listen to you. And for me, I wanted to reach that crowd because we’d already reached what we did with the Visionaries. I just kind of wanted my own lane. I’m not trying to be like LL Cool J. But I wanted to be me and just chill.

And that’s what San Diego is. A lot of people say that we’re real laid-back, and it’s true: We are. It’s our culture over here. We’re not too far from the beach. We’re not too far from the mountains. Downtown isn’t that far, there’s no traffic. We’re not always trying to rush to get somewhere, like L.A. is. We’re just like, “Alright, we’ll roll. We’ll go out and do something. Let’s go out, have a BBQ or something.” I was trying to bring that out in my album.

Giveaway: Tickets To Kendrick Lamar, Black Resume + more at UCSD


UPDATE II: Congrats to the two winners, Yomi and Ryan! They correctly responded with Kendrick Lamar’s previous rap name, K. Dot. Thanks to everyone who participated. Hope I still see you at the show!

UPDATE: Confirmation email has been sent out. The winners have 48 hours to claim their prizes. Otherwise, they forfeit their prize to the next contestant/s in line. Also, Black Rez replied in the comments that all the artists on the two flyers above are performing that night.

My bad for being so MIA. I’ve been suffering from a mild bout of depression which has driven me to binge on The Wire on DVD (four seasons in two weeks) uncontrollably. Though I just checked the site stats and I’m so, so grateful that people are still coming here to check up on the site periodically. It means something to me.

But before I start getting all Namond up in here, let’s get to the business at hand. Kendrick Lamar is performing at UCSD next Friday. I couldn’t tell you anything really intelligent about Kendrick right now but he is dope, one of the few rappers from the Internet that everyone likes that my Ph.D-ass actually likes too. I’ve seen two different flyers with conflicting info about the other acts on the bill (can someone clear this up?). At the least, you can count on Black Resume, Stevie Crooks, and Chuuwee (who I’ve heard good things about). Hopefully the rest of the lineup is more Piff, Brother Nature, and Ta’East and less The Dudez and Rob Grimes (Ph.D in full effect).

Here’s the deal: I have two pairs of tickets to give away. The first two people to email me Kendrick Lamar’s earlier rap moniker before going by “Kendrick Lamar” win the tickets. Mail your answers to music@sdraps.com. After replying to the confirmation email, you’ll be put on the guestlist with a +1. Anyone who can’t do a thorough Google search can buy tickets to the show at Eventbrite here.

As an aside, I should give props to Black Resume. It seems like a rare thing what they’re doing, being able to successfully throw their own shows and basically turn whatever venue they focus on (first The Epicentre, now Porter’s Pub) into a legit spot for hip-hop. And they’re bringing some dope acts like Kendrick, Devin The Dude, and Currensy. AND they still make good music themselves. So much kudos out to them for basically taking control of their careers and then helping develop a local scene in the process.