Best SD Rap, 2010


I wrote a blog post about my Top 5 SD Rap Albums of 2010 for the SD CityBeat blog (I also included a Top 5 Non-SD list). To complement that list, here’s a list of my next 5 SD Rap Albums and also a list of the Best SD Rap Songs of the year. I didn’t stress over the order too hard. For the Songs list, I limited it to one song per artist, although if the artist is featured on another artist’s song, that doesn’t count against them. And no, I don’t have the time or energy to write blurbs about each of them (I’ve already written about most of them anyway). Yes, I would love to hear you tell me how full of shit I am recommend me some good music that I missed.

Best SD Rap Albums

  1. Blame One – Endurance
  2. Treali Duce – A Man’s Heart
  3. Orko Eloheim – Forbidden Physics
  4. Anti Citizens – The Awakening EP
  5. MacPhly – Cheers
  6. Piff PCH Herrera – Vintage Verses: Paradigm Shift
  7. Easy Money Gang – Money Is The Motive
  8. Black Resume – Bar-Barian Music
  9. Jimmy Powers – Califoreigner
  10. Mitchy Slick Presents Tha Wrongkind – Yellow Tape

Best SD Rap Songs

In My Queue To Check Out

  • Ecay Uno – Mad At The World
  • Circle Empire – Before & After
  • Mr. Brady – Labor of Love
  • Thai Mex – Brand New Starts

Album Review: Treali Duce – A Man’s Heart


Treali Duce ft. Cuzzin Ice Lecta “I Get Money”
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Treali Duce ft. C-Hecc, Mackvillin “Rollercoaster”
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I frequently hear the claim, from both hip-hop heads and outsiders, that gangsta rap all sounds the same. And on the surface, that’s true. Much of gangsta rap deals with essentially the same themes of violence and crime. But good gangsta rap, like good gangster film or television, goes much deeper than that, often revealing complex truth in numerous shades of grey.

Or shades of blue, in the case of Treali Duce. Treali follows in a line of blues-inflected gangsta rap that you find more common in the South amongst artists like UGK, Z-Ro, and Lil Boosie. Which isn’t to say that A Man’s Heart is all twanging guitars and harmonica riffs. But an undercurrent of palpable sadness runs through the album. Treali’s strength is pain, struggle, and ultimately, empathy.

Take the first song of the album, “I Get Money.” The title suggests a song full of ballerisms and material excess, all braggadocio about wealth. Instead, Treali sets the tone for the album by explaining his and his community’s attraction to criminal hustling, breaking down this societal trap of valuing wealth yet making it near impossible for black Americans to make a livable income by legal means. The hook “I get money, you get money, we get money, let’s all get money” is a lament of this eternal rat race we’re stuck in. Treali himself sees money as “the root of all wickedry [sic]” but sees no way out of this struggle.

This use of elevated Biblical language is a recurring motif through A Man’s Heart, pointing to the Christian spiritual element in Treali’s music. That’s most apparent on “Good Lookin,” a prayer to God, thanking Him for guidance while also asking for repentance. But he also incorporates this Christian morality more subtly in other songs. “Wake Up And Get Your Paper Up” reveals Treali’s hope to one day “see providence” after so much hustling. On “Rollercoaster,” he cries for those that “reach the mountaintop, then they fall in sin.” Treali clearly sees himself as a righteous man, creating this intensely sympathetic, relatable, complex character, a sane man in an insane world.

A Man’s Heart then isn’t just Treali’s feelings. It’s the thoughts and emotions that we all feel, this clash between what’s right in society and what’s right in our hearts. It’s both a cry of sorrow and a push to persevere. It’s a wonder to me how anyone can discredit gangsta rap when it breeds music this powerful.

Great Demo Review @ SD CityBeat


SD CityBeat is taking submissions again for their annual Great Demo Review to run in March of next year. Here’s all the relevant info, straight from CityBeat:

Attention musicians: CityBeat’s Great Demo Review, our annual critique of local music, is set to hit the streets on March 2, 2011—that’s right around the corner. Got a demo you’ve been passing around? A new album you’ve been hyping? A bedroom project nobody knows about?

Send us a recording and we’ll review it. We accept CDs, DVDs and LPs. Please include your project’s name, an e-mail address or phone number and your website, Bandcamp or MySpace page. You can mail submissions to:

CityBeat Demo Review
3047 University Ave., Suite 202
San Diego, CA, 92104

The submission deadline is Jan. 31, 2010. Good luck!

I’ll probably be taking part in the process myself this year. I’m not exactly sure how it goes but I kinda imagine I’ll be the one guy that listens to all the rap. And I feel like it’ll be pretty much what I do on this site but for more than like five people to read, hah.

Jayo Felony Interview @ Illuminati2G


Check out this recent interview with Jayo Felony over at Illuminati2G. Here are a couple of extremely interesting nuggets about a new supergroup and some backstory on the making of his hit, “Whatcha Gonna Do”:

“I am also working on and I am a part of a new group called First Generation. The group is myself, King Tee, Kurupt, Gangsta from the Comrads, and MC Eiht. Snoop and Too $hort are involved with it as well, so it is going to be a big project.”

“That Take a Ride album was fun to make as well as ‘Whatcha Gonna Do.’ I got DMX on the ‘Whatcha Gonna Do’ song and it was originally supposed to be myself, Ol Dirty Bastard and Method Man. DMX took Dirty’s spot because Ol Dirty’s verse was not appropriate for the song because he was talking about sodomizing girls and shit like that.”

Garth Grizzly ft. Mitchy Slick – Get At Me In A Minute [prod. Cricet]


Garth Grizzly ft. Mitchy Slick “Get At Me In A Minute” [prod. Cricet]
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Yes, I do have something other than Jayo and Mitchy. But not today.

40 Glocc ft. Jayo Felony – G.L.O.C.C. & J.A.Y.O.


40 Glocc ft. Jayo Felony “G.L.O.C.C. & J.A.Y.O.
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40 G.L.O.C.C. = Instead of 40 acres, they gave us Ghettos Legally Oppressed by Crooked Cops
J.A.Y.O. = Justice Against Y’all Oppressors

Which only seems to apply on the last verse when Jayo spits heat, giving a tan and sunburn to a racist white Grand Dragon cracker from Santee. Political Jayo is pretty dope.

And yes, I am re-using this pic for the umpteenth time. Not that many clean press pics of Jayo floating around the Internets.

Contribute to SDRaps.com


I’d always envisioned this blog to be a group blog but I’ve been too gay to actually get any other writers to contribute. I’ve felt pretty weird asking people to contribute for free and I also don’t like the idea of trusting someone else to take it as seriously as me. But real life has been annoying. And SDRaps.com has definitely suffered quite a bit.

Anyway so yeah: if you’d like to contribute to SDRaps.com, please email me at: editor@sdraps.com. I’m mainly looking for another writer to produce content. But as you could probably tell, I wouldn’t mind someone revamping the MS Paint-ish look of this blog either. If you could do either, please message me. Know upfront that I can pay you nothing (okay, maybe a little bit for the design). I make nothing from this blog. This is pretty much a labor of love, a way to satisfy my compulsion to write about something truly unique, something that no other blog really covers. The only sort of “payment” I get is the exposure which has led to assignments at various publications. And occasionally, I’ll receive a free CD. If this still interests you, let’s talk.

Video: Treali Duce – Point Tha Finger

It’s a really amateur video, sure. But Treali’s A Man’s Heart is SD Album of the Year contender. Review pending as soon as real life gets off my nuts.

Miki Vale – Love x Love Is Life


Flako ft. Miki Vale “Love
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Miki Vale ft. Kandi Cole, Georgia Anne Muldrow “Love Is Life” [prod. Poetiq]
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A couple joints from Miki Vale courtesy of her mailing list. Although it’s nothing really new–they’re pretty much just some solid neo-soulish songs–it’s sad to think how fresh it sounds just because it represents a feminine perspective. It’s a definite change of pace from the umpteen generic beatdown raps I have to sift through all the time.

I think Flako is the producer for the first joint. Hopefully, the second one is from a 50/50 album with Kandi Cole.

Video: Philthy Rich ft. Mitchy Slick – Project Nigga

I’m assuming this is produced by DJ Fresh with his tags at the beginning. Here’s another glimpse at what the Mitchy Slick x DJ Fresh collaboration album will sound like. The video itself kinda oddly takes place in San Diego (Philthy is from Oakland), putting a poetic light on the Bay Vista projects.