‘The Uniter:’ Black Mikey in SD CityBeat

My feature article on Black Mikey was published in this week’s SD CityBeat. Which is a relief because it was a fairly grueling process appeasing the CityBeat editors and Black Mikey himself without losing too much of my journalistic integrity (just a little, but not too much).

Here’s a healthy grab below, which explains the main point I wanted to get across with the article. I’m just hoping Black Mikey can follow through and blow up pretty major like I believe he’s capable of doing. Click here to read the rest of the article:

Up until now, Ern, Dre and Ridley have never worked together—likely a byproduct of San Diego’s insular hip-hop scene in which artists tend to compete more than collaborate. But now they’ve come together to work with Black Mikey.

In the year since being released from prison—he served seven years for assault—Black Mikey has focused on making a comeback. Last year, he released a full-length, Blackula, and a companion mixtape, Smash, Blackula, Smash. He followed that up with a second mixtape, Smash or Get Smashed On, and he’s set to release Killafornia Infection, an album he worked on with Mr. Ridley.

In the process, he’s trying to unite two spheres of the local rap scene: the more hardcore gangster-rap coming out of Southeast San Diego and the so-called “backpack” rap scene, which looks beyond gangster-rap stereotypes to advance hiphop as an art form. He says that the only way San Diego’s rap scene will grow is if all sides work together.

Video: Strong Arm Steady ft. Jelly Roll – Make Me Feel



I was just thinking that Mitchy’s coded street language is pretty much just as dense and near-indecipherable as Aesop Rock’s Freudian Johnny Appleseed speech.

Eh, pretty sure I’ve made that point before. I think I’m running out of ideas.

This is the first single off Strong Arm Steady’s Arms ‘N’ Hammers album, due out in February off Talib Kweli’s Blacksmith imprint (I think?). Does anyone know if Mitchy is still officially in SAS? On the last SAS album with Madlib, Mitchy only appeared on two songs and both of them read as “featuring Mitchy Slick.” This latest song doesn’t say “featuring …” Help?

‘The Last Word’ Open Mic Nite this Wednesday

Flyer’s got all the info. I usually flake on events in the middle of the week because I got work early in the morning. But I’ve realized like all SD hip-hop events are in the middle of the week because local artists can’t get better nights, hah. Plus this has the support of both CROS1 and Kutfather. Yeah so, I’ll try not being a bitch for once and roll through this Wednesday.

PS. My bad on the lack of updates. I have plenty of excuses but it mostly boils down to getting addicted to a video game. **shrugs** Also, check out the CityBeat in the near future ……

Gangsta Gold Macnificent – Wanted

Gangsta Gold Macnificent “Wanted
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Nif Nasty’s been releasing old tracks from his stash for a few months now on the Siccness forums. I wish he’d just put these all on a mixtape and save me the trouble but whatever. “Wanted” fronts like it’s gonna be all moody and atmospheric like “Thriller” or something. Then the bass kicks in and tramples everything in its path. This bass is fucking NASTY (actually I wonder if that bass is combined with a tuba now). Add to that some banging 808 drums and all those horror movie atmospherics on the hook and this is a monstrous beat.

I quit.

Mitchy Slick – Mojo (snippet)

Mitchy Slick “Mojo
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Not that I want to make it a habit of posting song snippets, but I forgot to throw up this bit of news about Mitchy awhile back. He’s currently working with Bay Area producer, DJ Fresh, on his next solo album. Originally, they were just gonna put out a mixtape in DJ Fresh’s The Tonite Show series. But apparently, Mitchy was so pleased with the progress that he decided to make it his next official album.

“Mojo” is just a retardedly ill production, the way Fresh uses all those random glitches to make a drumline and pulls it off by adding layers of bass and synths. Mitchy spits a solid verse about the dangers of cocaine usage (although I guess cocaine dealing is fine with him; Donald Goines had it so right). Mitchy’s next album should bang hard.

Mixtape: The Seed – Breakinground


DOWNLOAD: The Seed – Breakinground

This mixtape dropped way back in June. But I hesitated to post this simply because I’m not completely sure if this qualifies as San Diego music. The Seed consists of three Polynesian (I think, if I remember correctly?) artists who come from all over California. Uptown Swuite comes from the Bay. Kahlee and producer Adikt 1 currently live in San Diego but I believe they both hail from Los Angeles. Kahlee even reps Tre Dime Music, or 310, which is an LA area code.

But there is a lot of SD participation, including mixing from DJ Demon, cuts from Kutfather, and a guest verse from Blame One. And if you think about it in a roundabout way, not being from San Diego is kinda this very San Diego thing. San Diego is a city of transplants, whether military or otherwise. Blame it on the nine months of sunshine but SD is where people go to escape. SD attracts lots of drifters. Kahlee and Adikt drifted down from LA and now they’re putting solid roots down in San Diego. And y’know, they happen to be really good. If that works for Kutfather, that works for me. Enjoy.

Mixtape: Marty MacPhly – Cheers

DOWNLOAD: Marty MacPhly – Cheers
Marty MacPhly “Enter The Drag” [prod. Kriis Mon3y]
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Marty MacPhly “Cold Sweat” [prod. Kriis Mon3y]
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I’m a big fan of producer Kriis Mon3y, whose work appears throughout Marty MacPhly’s mixtape, Cheers. Kriis is developing a very warm sound by layering synths on top of each other, injecting just the right amount of flourishes to create these lush soundscapes. There seems to be a larger musical movement brewing nationwide to take things higher in a more positive direction. You can hear it in The Pack’s Lil B and his cloud rap freestyle explorations. You can hear it in Huntsville, Alabama’s Block Beattaz production duo and their sheets of sound. And you can hear it in Kriis’s production, which sounds like it reaches for outer space, not so much to chill with Martians but more to take in the sights and the grandeur of it all.

MacPhly, for his part, is a solid rapper and a good writer. He bears a striking resemblance to Jay-Z in the sound of his voice and his flow. But he’s got unique, oddball punchlines that stand out (e.g. “My shottie turn n*ggaz into Rogaine clients”). And he’s got good concepts including the above “Cold Sweat,” a cautionary tale about the psychological consequences of living life too hard and violently. It’s overall a very solid mixtape that you should check out.

Blame One ‘Endurance’ = Jay-Z ‘The Black Album’?

Remember when Jay-Z first announced The Black Album? His idea was to have 10 tracks from 10 different producers, something like his fantasy record he had always wanted to make. Well, Blame One’s Endurance has 14 tracks with 13 producers. Is this more cause to believe Blame will indeed retire? Or is this more cause to believe he’ll come crawling back out of retirement shortly after retiring?

Bonus points for releasing vinyl on Polish Pub Records, hah. Tracklisting and production credits after the jump. Read more of this post

Mixtape: Joey Dixon – Geesh


DOWNLOAD: Joey Dixon – Geesh
Joey Dixon “Thank Me
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Joey Dixon’s got talent as a beatmaker. I wish someone would coach him on mixing (vocals down, please!). And he really needs to learn how to rap better or just get better rappers on his tracks. But yeah, he’s got beats.

Truthfully, I might not have thrown this mixtape up. But I saw Dixon perform a few weeks ago at the North Park Music Thing. He was playing hype-man for female MC, Vision. At the end, she gave him space to perform a solo song, “Thank Me,” above. And he killed it just from sheer energy. You should’ve seen this guy jumping up and down, definitely the most excited body in the room. When the song came to a break full of nothing but crashing cymbals, he was hitting every single imaginary cymbal in the air in front of him. Some heads probably laughed but he didn’t seem to care. He was basking in the glory of hearing his beat on-stage. That’s a good performance. It’s actually a little embarrassing how rare, ummmm, enthusiasm seems to be in live hip-hop performances. Rappers might could learn something about that from Dixon.

Black Mikey – Suitcase Box x Gangsta


Black Mikey “Gangsta”
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Black Mikey “Suitcase Box”
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Black Mikey’s latest (digital-only) release, Smash or Get Smashed On, turns out to be pretty spotty. It might be that Mikey’s recorded too much in too short of a time, such that he’s spreading himself too thin. For much of this mixtape, he sounds like he’s on auto-pilot. It’s actually jarring to hear “World So Cold,” a song from last year’s excellent Blackula, in the middle of this mixtape because it reinforces what’s missing. “World So Cold” has heart. Smash or Get Smashed On could use more of it.

The good thing about a digital release though is that you can choose to get only the highlights. In which case, I highly recommend “Gangsta” and “Suitcase Box.” One of Black Mikey’s best assets is his raw intensity. “Gangsta” not only plays with that–it pushes that intensity to the limit. You can hear Mikey steadily growing louder and more furious as the song progresses until you swear he’s about to bust out of the speaker, Bruce Banner-style. The force of his voice knocks you out.

“Suitcase Box” is probably more interesting for music nerds like me. The song finds Mikey reminiscing on back in the days, growing up in the Southeast amongst the gang culture. But then he also puts this gang culture against a backdrop of old school hip-hop, showing the hip-hop roots of the “gangstas” that many would like to separate from hip-hop. It’s funny how “Suitcase Box” constantly almost sounds like one of those songs where some rapper reminisces on “back in the day” when hip-hop was “pure.” But it never falls into the trap of blind nostalgia. It’s like “Suitcase Box” is a correction on all those songs, enlightening us to how much the street life and hip-hop used to really blend together.

If you’re interested, you can cop the songs or the entire mixtape here. If any other rappers are gonna drop digital-only releases, I’d appreciate some liner notes, production credits, etc. just as a music fan. Thanks in advance.