Throwback Raps: San Diego History Mix (vol. 1)

DOWNLOAD: Steven Flex (of Fam Royal) – San Diego History Mix (vol. 1)

I stumbled upon this ridiculous podcast from the Fam Royal DJ crew that runs through San Diego hip-hop from 1988 to 1998. It’s crazy to think that San Diego hip-hop history on record would even date as far back as 1988. DJ Steven Flex not only provides the mix but he also runs through the tracklist, speaking briefly about the history of each artist on each track. This mix includes cats like Legion of Doom, Tony Da Skitzo, Mr. Brady, LPSD, and a lot more. Check out his post here. It’s a veritable goldmine for anyone interested in San Diego hip-hop history (which is basically just me, hah).

Video: Lil Daddy Rich – Do Da D-Rich

Fucking hilarious. Dude is so greazy, like in that George Clinton way, you gotta love it. A true West Coast party track. This needs to catch on like AIDS.

Video: Ray C – Yrooo [prod. Batkave]

Eventually, I’ll have to figure out what it is about San Diego and the Bay that makes the two places get along so well with each other. I could’ve sworn this was from the Bay, like some hyphy shit-turned-street thumper. I really expected someone to start ghostriding at some point in the video.

The beat comes courtesy of Batkave Productions, a production duo out of San Diego (I’m assuming Ray-C is from SD too, but I’m not really checking at this point). Again, it’s a busy beat with a lot of weird little touches like sirens and a sample of someone saying “Yrooo” incessantly clipping far away in the background. It all adds up to a really dynamic production that keeps me guessing.

Open Mic, Ancient Future hosted by Black Mikey, Orko this Thursday

A new open mic night threatens the fabric of the universe. “Open Mic, Ancient Future” is currently planned as an all-ages, weekly event featuring emcees and emcee battles. It’s hosted by Black Mikey and Orko Eloheim (who are cousins?!?!?) with beats by Ecay Uno and will hopefully feature a lot of local talent. Yeah, it seems like just another open mic and part of me could give a damn. But another part of me recognizes the power that Black Mikey has in SD. Basically, he’s the one that will unite us all. If that doesn’t warrant me checking this out, I should probably stop listening to rap.

On a side note, Orko Tafari? Another name change?

The Dudez – Yeah Buddy

The Dudez ft. Audio Push Up “Yeah Buddy (remix)
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And this is pretty much “Bounce That” with a crazier beat (can background crowd chants ever go wrong?) and noticeably Wayne-/Drake-ified rapping. On Autotune. Since this has become an unofficial Jerk Day at SDRaps.com, excuse me as I go consult my pr0n.

Ryan Anthony – Bounce That x Got Me Fucked Up

Ryan Anthony, Lil Mouf, Gee Gee BStone “Bounce That” [prod. Ryan Anthony]
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Jukn “Got Me Fucked Up” [prod. Ryan Anthony]
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It’s pretty easy to diss the jerkin’ scene for a number of reasons, not the least of which is for being a fad that is already seeming to fade. But you have to hand it to these dudes for being creative and having fun without taking themselves too seriously (hah, I’m already nostalgic for it like it was The Golden Era or something).

Here are a couple of joints from local producer, Ryan Anthony, which also feature a number of young, local (I think?) rappers. You can see how Ryan Anthony can take essentially the same technique of finding a half-annoying, half-awesome vocal clip and throwing it on drugs and then flip it into two drastically different songs. “Bounce That” is a club joint with a really ill beat, the way the sample will go from being screwed up to alien-chipmunk status at the end of the loop, like the beat’s lifting off into space. “Got Me Fucked Up” is a lot simpler, a lighthearted story-telling track in the vein of Slick Rick. The sample only appears in the hook but it’s really catchy. And it’s supported by great drum programming and some pretty hilarious, self-deprecating raps from Jukn. When jerkin’ dies, I just hope some of these dudes continue to make music.

Video: Parker & the Numberman – What About Your Block

Parker & the Numberman are a hip-hop duo that, according to the Numberman, “mix[es] the fluid lyricism of Charles Bukowski with the street corner observations of NWA.” This song comes from their debut EP, The Talented Tenth, named after W.E.B. Du Bois’ controversial class theory. The EP came out in 2007 but they’ve only recently released this video, which they submitted to an indie film festival.

Scholarly references aside, this duo is talented and shows a lot of promise. The two have good chemistry, I’m digging the flute sample, and the simple video plays into the paranoia angle pretty well.