On One ft. Black Mikey, Smigg Dirtee, Ecay Uno – As Time Passes By

On One ft. Black Mikey, Smigg Dirtee “As Time Passes By” [prod. Ecay Uno]
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Okay, so here’s a bit more of an introduction to Black Mikey. Black Mikey is one of the most OG-est rappers in the San Diego scene with roots dating back at least to when even small-time rappers could get a decent music video budget. He caught a case early in the 200ts and went to jail for 7-8 years but got out last year. From what I’m guessing, his music had a strong horrorcore influence before jail, which would make perfect sense considering the following that horror rap godfather Brotha Lynch Hung has in SD (can someone confirm? Like by sending old Black Mikey music?). Nowadays, he’s pretty grounded in his raps, talking about tangible subjects albeit still with this insanely urgent, shout-rap voice and these little crazy, weird touches that just make the song.

Case in point, “As Time Passes By.” Mikey’s verse is a touching tribute to one of his homies stuck in the pen for life, a pledge that Mikey would be a better man when he got out so that his homie could live through him. Only this homie has a kickstand. A peg leg. A fake fucking leg. Wtf? It has no significance to the song at all but it’s there and it just pops out. It’s these idiosyncratic details that put a Black Mikey stamp on the song, making it that much more memorable.

On One is a rapper from Spokane, Washington, but he hooks up with SD in a big way on this track. Smigg Dirtee continues to impress with a solid verse over a beat by producer Ecay Uno.

UPDATE: Hah, never mind. I’ve finally been notified by someone with actual street cred that a kickstand is a life sentence. My bad for my ignorance. I don’t run the streets, I run an Internet blog. Still an ill verse though.

Mixtape: Black Resume off to strong start on ‘Barbarian Music’

DOWNLOAD: Black Resume – Bar-barian Music [updated: 8/12/2010]
Black Resume “Animals
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Black Resume “It’s A Shame
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Black Resume is a group of four emcees that very recently formed like Voltron and put out this mixtape-album. Although the group is newly formed, each of the members have been developing for years on their own and it shows. Bar-barian Music is a solid mixtape-album. The lead single, “Animals,” reminds me of GZA’s “Animal Planet,” which goes to show the group’s dedication to classical lyricism. Bar-barian Music is filled with funny, clever snaps, mostly against wack emcees, fake emcees, and haters. Guillotine stands out, consistently dropping winners like “on the real, y’all niggaz fucking up/ talking about you busting flows, man you couldn’t bust a nut.” Guillotine also handles the bulk of production duties, which leans towards a Dr. Dre-style. The beats are hit-n-miss but the rhymes carry the mixtape through. Check it out for yourself and let me know what you think.

S.K.I. – Wasted


S.K.I. “Wasted
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Here’s another track from earlier this year that got me excited about SD hip-hop. “Wasted” sounds real clean like equal parts dreamy club night and airplane lift-off. These glowing synths take you up into the clouds until you feel that nothing can touch you. S.K.I. is serviceable enough as a rapper but it’s the beat that really shines (speaking of which, is anyone gonna come through with some production credits? Pedalay?).

“Wasted” comes off S.K.I.’s mixtape, The Reasons, which he released in February. If you’re interested, you can check it out over at the Smoke Break Records site.

*Sorry for the ugly graphic. It’s all I could find. Smoke Break, please step your photography and/or graphic design game up.

Jimmy Powers – Cali-foreigner

Jimmy Powers “Cali-foreigner” [prod. Mr. Ridley]
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My bad for missing a step the last couple of days. I’ve had some technical difficulties between my faulty Internet, my crashed external hard drive, and my bogus blog coding. Y’know, that and a hangover. For now, check out the first single and title track from Jimmy Powers’ upcoming solo debut album, Califoreigner. Jimmy Powers is a Boston-to-SD transplant who has been gaining some steam lately, getting co-signs from SD vets like Blame One and Anti-Citizens, being covered extensively in the SD Reader, and having been nominated last year for a San Diego Music Award (which you can interpret how you want).

“Cali-foreigner” is Jimmy’s attempt to marry his East Coast rhyme style to a West Coast-flavored banger. Producer Mr. Ridley (of Anti-Citizens) provides a piano-driven with all the bells and whistles and wheezing electric guitars that you might expect from a Dre beat. Jimmy talks shit by talking about shit, literally–and constipation–calling to mind like a Pharoahe Monch verse or something.

The Califoreigner album drops May 4th. Look out for an interview with Jimmy Powers soon.

A Prelude to Dope: ‘Underground Juggernauts’

Eventually all three of these acts will each get a proper introduction. But suffice it to say, that the combination of Black Mikey, Orko Eloheim, and Anti-Citizens constitutes something of a super-group of SD hip-hop. Something potentially earth-shattering is in the works.

I’ll have the first 3:15 on repeat for a minute. Peace to chaddyp, SD hip-hop’s resident videographer.

Mr. Dubie – I’m So Clairemont x Boss Musik

Mr. Dubie “I’m So Clairemont
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Mr. Dubie “Boss Musik
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Mr. Dubie is a Native-American (I think?) rapper coming out of Clairemont, who actually went to the same high school as me (Ed. note: I don’t know him personally from school, he’s not one of my homies that I’m trying to put on). Dubie reps the “New West” so he makes decidely West Coast street music. I can’t put my finger on it but at different times, he reminds me of Crooked I, Slim Thug, and Young Jeezy. “Boss Musik” is a solid banger with some good shit-talking, wordplay, and punchlines. “I’m So Clairemont” is an ode to Clairemont that’s perfect for riding out to.

Now let me digress for a minute and talk about music and place. Read more of this post

Smigg Dirtee – Polo, Louie, Gucci

Smigg Dirtee “Polo, Louie, Gucci
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“You ain’t wack but you regular as fuck”

This line sums up how I feel about most rappers perfectly. Smigg Dirtee is a half-African-American , half-Guamanian rapper who’s bounced between San Diego and Sacramento for much of his life. The hyphy influence shows on the track, the minimalist beat just growling with relentless bass punctuated by these dank-ass echoing xylophones (or something?). It’s the first I’ve heard of him but I’ll check out some more of his music and get back to you.

50/50 (Kandi Cole & Miki Vale) – Got To Run


50/50 (Queen Kandi Cole & Miki Vale) “Got To Run
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50/50 is a duo consisting of San Diego’s Miki Vale and LA’s Kandi Cole. Though I haven’t heard anything from them until now, they come with some major credentials, having been raised under LA’s Project Blowed camp and helping form the female emcee collective, The (Sis)tem. 50/50 describes itself as “Black Star meets Outkast with a ladies’ touch” and Miki enjoys Gucci Mane (check out this great interview with 50/50 from Spinner Magazine). This year, they were invited to go play at the SXSW Festival in Austin, Texas.

“Got To Run” is simple enough, a clean soul track with a vocal sample looping, repeating the title phrase as the emcees spit uplifting, motivational rhymes. It’s a solid track and I look forward to hearing more.

After the jump, check out a footage of a couple live performances. The first is of a track called “Grown Woman (RMX)” performed in San Diego a few years ago. The second comes from their SXSW performance. Read more of this post

Mixtape: Free Young Mass

DOWNLOAD: Young Mass – Uggly
Young Mass “Love”
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Young Mass “Black Super Hero”
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Before he got himself locked up in Las Vegas, Young Mass released this free mixtape, Uggly. Young Mass has rubbed elbows with some of the West Coast’s finest. He first got shine when he was scouted by Shock G and recruited as a member of Digital Underground (this was in the early 2000′s towards the end of DU’s run). After a falling out of some sort, Young Mass relocated to LA. It’s there that he met Dr. Dre while working at a gym that Dre owned at the time. After becoming workout pals, he was able to hop in the studio with the good doctor.

While you won’t hear any collaborations with either Shock G or Dr. Dre on Uggly (the closest you’ll get is a supposed Detox reference track, “Misery”), you will hear a certain level of polish that probably came from years of working with certified hip-hop legends. Mass is a technically skilled syllable flipper. But he can also craft actual songs, something many emcees have yet to grasp. You won’t hear this quality better than on “Love,” a song detailing in three verses his first love for a girl, his love for the streets, and then finally his love for music.

There are probably better comparisons to be made (and please, feel free to make suggestions in the comments) but I’ll go ahead and say he’s similar Tupac in the sense that he’s a street poet who wears his emotions on his sleeve (that’s Pac, right?). Most of Mass’ raps are personal. He filters all his observations on street life, all his indictments on the system, and all his attacks on enemies and opponents through his own lens of experience with a strong sense of Christian spirituality. This gives his raps a certain sense of urgency or at least a level of emotion that gives it life. Hopefully, Young Mass can get out of jail soon and keep working on more music.

Review: Mitchy Slick IS San Diego on ‘The Yellow Tape’


Mitchy Slick “What Happened To The Turf”
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Ise-B, Mak90, Meat Face, Mitchy Slick “I’m Outta Here”
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No introduction to SD rap would be legit without mention of Mitchy Slick, who is maybe the SD rapper with the most visibility outside of San Diego. He was an official member of LA’s Strong Arm Steady with Krondon and Phil Da Agony (though it looks like now he’s just an affiliate and not a member). He’s also put in work in the thriving Bay Area market, having released a full-on collaboration with the Bay’s Messy Marv, titled Messy Slick (no diss to either rapper, but there’s a gay joke somewhere in that title). He says it himself: he’s everywhere!

Thankfully on The Yellow Tape, he comes down from up north and brings it back home. And then he puts like every single rapper in SD onto the album too. Make no mistake: this is not a Mitchy Slick tape. This is a Wrongkind Gang tape featuring Mitchy Slick. I’d rather hear more Mitchy on this release but it still makes sense that he’d drop this. Mitchy makes ultra-realistic gangbanging music, full of coded language, references to specific gang hot spots in San Diego, and mention of stuff he’s done with his gang. He talks about them all the time, specific people, calling them out by name. It’s only right that we actually get to meet these characters first-hand and hear their stories to add to the ultra-realistic style.

But then putting on all his Wrongkind homies from San Diego is only one way he brings it home on The Yellow Tape. Say what you will about Mitchy Slick but his music is San Diego. His music is San Diego the same way that, say, Nas’ music is New York or Devin The Dude’s music is Houston. I’m not trying to compare Mitchy’s technical skills on the mic with Nas’ or Devin’s. I just mean that his music entrenches itself in a place. He talks about specific streets, corners, and outposts that you would never know about unless you lived in Southeast San Diego, using slang that you wouldn’t understand unless you were from Southeast San Diego. For outsiders, it’s a glimpse into the heart of his neighborhood. For residents, it’s a heartfelt tribute.

And he’s got genuine love for the city. He waxes nostalgic about better days on songs like “What Happened to the Turf” and “Free,” speaking on local legends who’ve passed, gone to jail, or who’ve just grown up, missing the lost honor amongst thieves in his neighborhood. He’s got bangers about drugs (“My Connect”), guns (“He’ll Shoot”), and cars (“Shit Sprayed”), for sure, like any good gangster rap should. He’s even got an unexpectedly great ode for the ladies (“I’m Outta Here”). And he’s got a penchant for great hooks throughout. But it’s his love for the city that glues it all together. The Yellow Tape isn’t perfect, with all the rappers not named Mitchy taking up space (some are worth hearing, like Black Mikey). But it’s solid. Mitchy Slick is San Diego.