CityBeat: Album Review: Gonjasufi – MU.ZZ.LE
Seth Combs went in on Gonjasufi’s MU.ZZ.LE album, which just dropped this week. You can read the review in this week’s CityBeat. I’m not sure about him conflating “comforting familiarity” with catchiness though. I mean, if Gonjasufi had indulged his weirdness more to pander to critics who loved A Sufi and a Killer, that would’ve been another sort of comforting familiarity, right? I wonder if the muzzle represents people that want to put him into an “artsy-fartsy weirdo” box.
Anyway, just some thoughts. Snippet below. Click here for the full review. Not sure if I’ll review it myself yet but I do have plans for something way more baller, eventually.
Now, we have a follow-up in MU.ZZ.LE, a 10-track mini-album that was produced by Sufi and local producer Psychopop. The distorted, trademark voice is still here, but the sonic experimentalism is dialed down a bit. He sounds like Mos Def at his most loose—indeed, “Venom” and “Blaksuit” sound like outtakes from the emcee’s 2004 release, The New Danger.
I can see fans of Sufi, who now lives in Las Vegas, embracing just about anything he puts out (the weed helps), but I can’t help but feel that Sufi has lost a bit of his edge. Songs like “The Blame” and “Nikels and Dimes” are downright catchy! I know, it’s weird that I’m bitching about a song being catchy, but you know what? Give me adventurousness and inaccessibility over retreads and comforting familiarity any day. I may not like it immediately, but I’ll at least commend the novelty.














